APRIL REWIND: ALBUM #2 FROM URTHONA/OTHER PROJECT, BLACKENED BEATS BY GHOSTS AND TEMPLE, AND NEW RACKET FROM RAKETKANON
April kicked arse in terms of gigs. Pigs Pigs Pigs Pigs Pigs Pigs Pigs bulldozered the Bullingdon and then, just two days later on the same stage, Jim Jones let us into his headspace. Of those two bands there’s no question that Pigsx7 have got more going on, but a sharp-dressed Jim Jones and the Righteous Mind made a rollicking Friday night. With tracks like Sex Robot and Satan’s Got a Hard-On for You, knocked out with righteous holler, how can they not entertain? They do. Right on.
OK, on with the show with new sounds.
THE OTHER WITHOUT: 2
If you’re partial to Urthona‘s heavy rural distortions then you probably already know about an Urthona-related project that’s on album #2 already, but I didn’t. It’s The Other Without.
Who they? Neil Mortimer and Michael J York. What they do? Penetrate your head with space – an hour and five minutes of it, to be exact-ish. Four long trips of quiet motion, field recordings, keyboard swells and guitar arcs. Birdsong. Waves. Motifs tinkling, slow planetary turns, not a shred of Urthona-styled violence. A Novel Method for Determining Galaxy Orbits serves a hushed ambience for outer space cinematics, while Albion Light Vessel strips all mass from its electronics. Galactic or not, everything is earthbound. Beat-less but pulsing. The nature of things? The things of nature. Tune in for a transporting shimmer.
That was the light. Now for the dark – a trio of lo-viz highlights.
SNOW GHOSTS: Rip
Industrialised beats push Hannah Cartwright’s vocal haunt into a dense, dark, edge-land trip that tips a nod to JK Broadrick’s heavyweight grim. Rip is a dream going wrong, the kind you definitely want to wake from. Run. Away. It all drags downwards.
PAULA TEMPLE: Post-Scarcity Anarchism
Hi-energy electronic DOOOOM …. you know how Underworld’s King of Snake has that white-hot scrape of a subway train hurling past at full tilt? Take that vibe, pound it heavier and pack those unstopping carriages with no-soul people-oids, aka the bodysnatched. Now you’re in the Post-Scarcity Anarchism zone. And no, the wonk euphoria ending does not lift the tension. Temple, next stop.
RKTKN #2 was and is a non-sticky album – noise rock shot through with quiet-loud spaces and a bad-tripping carnival gothic. Short on hooks, big on stubborn twists, these Belgians are very much their own thing and now we’ve got a new album, RKTKN #3. From it, here’s Ricky doing what Raketkanon do but thickened by a synth underlay. Somewhere near Shortparis and New York art noise, perhaps?
And if you never knew you needed desert trance, electronics and guitar distortion from south Tunisia, wrap your e-holes round Moola Nefta by Ifriqiyya Electrique. Intense.
‘til next time!