Tag Archives: stuart maconie

BLACK SABBATH: BEYOND METAL (A JAZZ ODYSSEY)

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EVER HEARD BLACK SABBATH SOUND LIKE THIS?

On July 6th, the day after Black Sabbath’s Back to the Beginning sign-off at Villa Park, Stuart Maconie broadcast a Sabbath special Freakzone on BBC Radio 6 Music.

It was an inspired slab of radio – a wild selection of Black Sabbath covers, bands inspired by Sabbath and, of course, Sabbath originals. But it was the covers that really made it work because none of them were rock or metal. Not a single one.

Instead there was fictional jazz (eh?), medieval folk, Ethiopian brassy scuzz, Scandi-fied indie pop, contemporary classical and plenty more … countless left turns in a fascinating trip that hints at just how far and wide Black Sabbath reached.

The programme is no longer available on BBC Sounds but, because it’s too good not to rave about, here are a few words on some of the tracks that blew my tiny mind, followed by the tracklist for your fullest explorations.

RIP Ozzy Osbourne. Long live the Summer of Sabbath.

Far beyond metal

What, no guitar? Better get used to it with French/Ethiopian hybrid uKanDanZ because they lead into War Pigs with a screaming sax blast and it RIPS. After that, they lock down a tough keys-bass-drums groove punctured with brassy bursts.

Soreng Santi throws out a very loose take on Iron Man. It’s a track that’s always lumbered in the best possible way but here the sticky fuzziness of the riff stumbles and wavers and just about stays upright. In contrast, the drums dance with clarity and full command of spacial awareness. If you watched White Lotus, this track appeared in an episode somewhere. Apparently.

Hearing some radical reworks of Paranoid makes you realise that the chugging riff captures the paranoia of the title – it’s a bit nervy, edgy, restless. Take that signature element away and the song can be transformed, as Black Bossa Sabbath Nova show with a gentle, swinging shuffle that glides so smoothly it barely touches ground. Beautiful vocal too.

Sticking with Paranoid, Hellsongs do a similarly non-monolithic breakdown. Like Susanna and the Magic Orchestra’s minimalist, heartbreaking version of Love Will Tear Us Apart, Hellsongs strip a robust original down to its barest essence and redress it lightly – here with whispered gusts and string-backed Americana. Hellsongs Paranoid is roomy and calm, the very opposite of Sabbath’s anxious riffing. And while we’re on a Paranoid reimagined trip, check Type O Negative’s version for a transcendent goth metal overhaul.

If the idea of Jazz Sabbath (listed below) excites more than the lighter-touch music delivers then Iron Man by The Bad Plus is the place to get a proper jazz-does-Sabbath experience. THIS is jazz Sabbath. Piano chords take the place of Iommi’s riff, the tempo is slowed a fraction and the inventive combined muso talent makes more notes, more melodies and more dimensions without ever losing the heavy essence of the original.

Keeping it jazz, Brad Meldhau‘s Sabbath is not a cover but a tribute. Doom piano and shit-hot drumwork conspire to fashion a downer earworm from Sweet Leaf’s cloud. Bulletproof and nicely weighty.

At the risk of turning this into a jazz odyssey, the final highlight – for now – is more jazz. From a metal legend. War Pigs by The Alex Skolnick Trio. Swingy as fuck. Do not expect Testament-al thrash riffage. Do expect clean, warm tones, sublime phrasing, blistering jazz runs and a drum masterclass … how much musicality? Unreal.

As promised, below is the full Freakzone tracklist minus the Black Sabbath originals. Sleep and Electric Wizard are familiar enough but all the covers here are, to me, a new adventure and every single track is worth checking. Credit to Stuart Maconie for putting it together – radio at its best.

Let the Black Sabbath story continue.

Freakzone: Black Sabbath Special

Cindy und Bert – Der Hund Von Baskerville. Ultra catchy German pop-psyche Paranoid via Haight Ashbury

Les Baxter – Main Title (from the film, Black Sabbath)

uKanDanZ – War Pigs. See above

Jazz Sabbath – Electric Funeral. Soft shuffle and brushes from Adam Wakeman’s invented concept. If the nightcap fits… drink it. Late-night bar vibes

Rondellus – Rotae Confusions. Wheels of Confusion, sung in Latin, haunting and medieval

Soreng Santi – Kuen Kuen Lueng Lueng. See above

Vitamin String Quartet – Into the Void. Strings, innit?

Cardigans – Sabbath Bloody Sabbath. Light and dreamy retro drift-pop with incredibly cool funk drums. Genteel detachment you can almost dance to.

Black Bossa Sabbath Nova – Paranoid, see above

Sleep – Holy Mountain. No description required

Apocalyptica – Spiral Architect. Full bodied orchestral instrumental

Hellsongs – Paranoid, see above

Brad Meldhau – Sabbath, ditto

The Bad Plus – Iron Man, ditto ditto

Electric Wizard – Funeralopolis. See Sleep above

Free Nelson Mandoomjazz – Black Sabbath. Melancholy sax, horror scream squall sax, max-tension dynamics – this song was destined to be doomjazzed

Meatdripper – Homegrown. Blackened stoner with Pigsx7 slam riffage and questionable vox, you decide

Alex Skolnick Trio – War Pigs, see above and listen and weep

Black Sabbath Vol 4
Back to the Beginning, back to the font: Vol 4

Drudes, freaks and wolves

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The Arch Drude is back in the news – the book news. Fiction news, to be exact, coz he’s only gone and put out his new (and first) novel, One Three One, on Faber and Faber. He nipped in to Stuart Maconie’s Freakzone for a wee chat about it so go check the July 6th episode for a short interview and snatches of music from Neon Sardinia and Dayglo Maradona, just two of the book’s fictional-bands-real-music backstory.

And as if an interview wasn’t enough reason to tune in, check these amplifier-friendly arteests on that same show’s playlist:

  • Jex Thoth
  • Poino
  • Yes (new single!)
  • Brain Donor (a righteous My Pagan Ass, no less)
  • The Safety Fire (right-now prog)

Anything else to report and reveal from this surge of rock radio activity?

Only the promise of a Freakzone interview with Southern Lord’s WOLVES IN THE THRONE ROOM on Sunday

AND a 30-minute Cope mix on the Freakier Zone on Saturday.

Who needs the World Cup???

 

 

 

TAPED

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In my Boris write-up the other day I made reference to the music fan’s buzz of stumbling across an unknown album – in other words, a find.

Well, this week I was reminded of a different but no less satisfying buzz that shocks us every now and again – unexpected uber-heaviness on the radio, like when (for those who were there) Harvester of Sorrow got an airing in the Top 40 and it gave you a four-day high because one of YOUR BANDS had broken into the charts for the first time ever.

This week’s radio buzz was a bit like that.

Stuart Maconie’s Freakzone on BBC 6Music is my must-listen radio programme, and which molten heaviness descends from our beloved DAB on Sunday evening?

I, the Witchfinder, by Electric Wizard.

WOAAARRRRRRR! Maconie’s only got Dopethrone – yes, bloody DOPETHRONE – as his featured album this week (soon to be last week coz there are only a few hours left to listen again on t’iplayer).

Now I’m taking this as a sign, an omen, a Dorset-sized kick up the you-know to finally get this little feature – called TAPED – off the notepad and into the blog. It might end up being unsustainable, or a fistful of cack, or both and/or worse, but we’ll get it started anyway.

TAPED. What is it?

TAPED is stuff from the radio that’s caught my ear, simple as that. In other words, the things you’d tape if you were still taping* (now is the time to check the thing of beauty splashed across the top of this page).

As I said, Freakzone is my source for getting turned on to new stuff. Not necessarily new by release date, but new to the ears. It’s not a rock show – far from it. It’s anything outside the mainstream … obscure prog, 70s fusion, avant rock, field recordings, free jazz, anything really, but it’s not Wire obscure either. The old stuff is as bold as the new so, in the spirit of discovery and general music fan-dom, why not a share a few new names and bits of music news?

That’s what TAPED will attempt. Next time we’ll get straight into the music but now, here are the Feb 2nd Freakzone highlights:

PORT SULPHUR – The Faith Healer, featuring Jock Scot. Sleazy industrial disco with guitars.

MUMPBEAK – Forlock. Track of the week! Crimson-sinister prog with Slint air of well-heavy dread. Who Mumpbeak? Dunno, but Bill Laswell and Tony Levin are among ‘em.

ALARM WILL SOUND – Cliffs. Non-electronic arrangement of Aphex’s opening drift on  Selected Ambient Works Volume II.

And of course, ELECTRIC WIZARD’S DOPETHRONE, an unusually metal choice to even get played on this show but to be elevated to the status of featured album???? No complaints here though.

*I am still taping. A bit.