ALT 90s RADIO HOUR

KYUSS, DARKTHRONE, SLINT AND MORE: 6 MUSIC SPECIAL

What’s this? Demon Cleaner by Kyuss is the opening track of a Freakier Zone 90s spesh?

GET. IN. Who’d have thought that Maconie would go anywhere near Gar-Homm Bjo-Ree’s desert rumble, unique though it is? Not as though he shuns the heavy and the extreme, far from it, it’s just that their downtuned wide open riffology lacks the fusion prog experimental thing that tends to make the FZ tracklist … Kyuss just rock, but in a way that no-one else ever did: a band that make you FEEL it every damn time. True behemoths of the pre-millennial decade.

So yeah, they start the hour, and in their dusty trail are benchmark 90s names like Darkthrone and Slint, plus other notables from the avant end of the alternative Souls at Zero-era Neurosis, Scott Walker on a Tilt, you get the gist. Do I hear…21? 21? 21? Sure do.

Check the show right here. Not as extreme as the Greg Anderson playlist from a few weeks back – no Mortician for starters (what???) or Asschapel (fair enough) – but it’s a solid hour for exploratory rock heads, and the following day’s Freak Zone looks at IDM with Warp Records and Artificial Intelligence (all part of the My Generation: the 1990s thing at the beeb/6 Music –  worth a dig, there are stacks of programmes that swerve well clear of unplugged Live Forever sheee-ITE from 1994. And plenty that really, really don’t).

THE NINETIES. Formative music years over here, and sure to inform future reviews… what about you?

 

Greg AndersonO))) on 6 Music

After watching Bowie’s Last Five Years documentary on Saturday night, what could lift the late-night mood a notch above a re-opened Low?

Ermmm….death metal and midnight hardcore curated by a robed dronehead? Well, that was the tonic for anyone who fell into Stuart Maconie’s Freakier Zone Saturday night, aka zero-hundred hours SunnO)))day morning, because the Southern Lord Greg Anderson pulled together an hour’s mandatory cross-genre listening, much like his grimm-brother Stephen O’Malley did a year or so back on a Freakzone sit-in.

Tune in and you too can laugh along with Mortician, get blasted by Bolzer’s epic death metal and then feel the brutal burn of Anderson’s re-connector with the underground, His Hero is Gone OMG (band) rage, for sure – though as you’d expect, it’s not all hardcore death mongery in these here 60 minutes: Erik B and Rakim, Ice Cube, John Carpenter and Big | Brave all figure as well.

As do Asschapel (what????)

Anyway, CHECK THE GREG ANDERSON HOUR RIGHT NOW before it effs off forever. ’tis time very well spended.

And if you need further on-air lo-frequency shake action, bugger me if the stupendous Sunn O)) & Boris collaboration ain’t the featured album on the Sunday night F-zone – worship at THAT Altar, ‘specially the disintegration tremor-fest that is Etna. H-u-g-e. Elsewhere in the same ‘zone there’s Wayne Coyne, Godspeed, Miles and long-form Floyd (Embryo, BBC session version)…. not a bad Sunday, right?

Oxford: the doom inspires

REWIND MARCH

April’s in. March is out. What happened? The return of one of the slowest, heaviest bands in the land, that’s what: UNDERSMILE. And if you’ve ever been within a mile or eleven of their nightmare doomcrawl, you’ll know that’s no exaggeration – last year I stood within a few feet when they supported Beehoover and felt utterly punished by the set’s end. Not exactly pleasurable, yet weirdly compelling … if torpid glacier is a pace you’re partial to. Either way, it was pretty damned cool to see them nab Nightshift’s front cover in March, and it’s an all-round good read so check it out – the band are funny and friendly (everything the music is not), there’s a new word for our vocabulary and you’ll find some highly impressive, though not remotely big-headed, namedrops of Billy Anderson, Dylan Carlson and Mr 2.13.61 himself, Henry Rollins. Why the Big Interview status? Oh yeah: Undersmile have got a new album looming. It’s called Anhedonia.

But you’ll find no review here coz it’s not out til a bit later in April so, as a warm up, let’s turn to 2013’s Wood and Wire. I’ll admit that I haven’t squared up to the Narwhal debut, mostly because I’ve been too scared, but this split album is shaping up to be a proper entry point to the world of Undersmile. For starters, it’s not just them – it’s a split album with Coma Wall, who are … Undersmile? Yes. In disguise. As ACOUSTIC BALLADEERS, faaaaa’ckinnelll!!!

Except there’s no b*ll*dry on show here, I made that bit up. Coma Wall are acoustic though, and the three tracks here – each of them 6 minutes plus – have the same addictive downer harmonies that recall Alice in Chains’ Sap EP, yet the low cello drone and slow-pick banjo on the standout track You Are My Death (it WILL stick in your head) turns the vibe dial to Rustic Americana. Love it. No wonder Dylan Carlson’s been sniffing around.

The flip to Coma Wall’s melancholic drift is Undersmile’s amplified hit: bog-slow and Dopesmoker-huge, the inyerface clarity is well removed from the stoner end of doom, not just because of the recording itself (co-produced by no less than Justin Greaves) but also because Undersmile don’t do that blues-based Sabbath-rooted derivative riffing thing. They don’t chug, not here at least, and they definitely don’t swing or groove. Undersmile pound and lurch, dragging things down with those moaning dead-souls-in-harmony vocals. Sure it’s monotonous on first listen but with extra reps, you find the spaces and the range. The Slint-like unease (Killer Bob), the Neurosis tension (Hives). And it grows, absolutely. Undersmile are no easy ride but one thing’s for sure – they stand apart in this heaviest of rock divisions, and Wood and Wire’s split format could be your way in. Did the job for me.

Digital download of Wood and Wire available at Shaman Recordings, it’s well cheap

Undersmile interview with Oxford’s Nightshift is in the March issue, page 4 of the PDF. Album review on page 5.

Last bit …

6Music went underground on March 21 when John Doran, editor of online sprawl The Quietus, guested on Maconie’s Freakier Zone for a 30-minute special on SUBTERRANEAN WORLDS. Not all of it’s essential but if you’re poking abut the iPlayer it’s worth checking for these two reasons: Lustmord’s ambient industrial menace, and the Butthole Surfers dementedness. Because you don’t really get this stuff on air very often, do you?

And that’s that. ‘til next time!

Drudes, freaks and wolves

The Arch Drude is back in the news – the book news. Fiction news, to be exact, coz he’s only gone and put out his new (and first) novel, One Three One, on Faber and Faber. He nipped in to Stuart Maconie’s Freakzone for a wee chat about it so go check the July 6th episode for a short interview and snatches of music from Neon Sardinia and Dayglo Maradona, just two of the book’s fictional-bands-real-music backstory.

And as if an interview wasn’t enough reason to tune in, check these amplifier-friendly arteests on that same show’s playlist:

  • Jex Thoth
  • Poino
  • Yes (new single!)
  • Brain Donor (a righteous My Pagan Ass, no less)
  • The Safety Fire (right-now prog)

Anything else to report and reveal from this surge of rock radio activity?

Only the promise of a Freakzone interview with Southern Lord’s WOLVES IN THE THRONE ROOM on Sunday

AND a 30-minute Cope mix on the Freakier Zone on Saturday.

Who needs the World Cup???