JANUARY REWIND: NEW EXPOSURES FROM NORWAY AND SOUTHERN LORD, AND A BRACE OF WINTER SOUNDTRACKS
If wild instrumentals are the way to blast those Jan-Feb blues, check this trio of wordless other-worldlies and set your radar to stun, scorch and shift. Verse-chorus-verse they are not. Don’t know anything about the bands (yet) so excuse mon ignorance and lack of detail, just feel the buzz instead. Much to trip on.
HEDVIG MOLLESTAD TRIO – First Thing to Pop is the Eye
STUN. Heavyweight new-jazz post/prog artillery from Norway. Dazzling. HM3’s First Thing… fairly fires up a wintry night with urgent, hypnotic bass loops and guitars that strike with small-hours cool. Musicianship absolutely not in question, neither is the r.o.k. attitude, and that’s more than enough to keep us happy BUT… check the drumming. Is that a player or what? New album Smells Funny is out now on Rune Grammofon.
CASPER BROTZMANN MASSAKER – The Call
SCORCH. OK, not new – 31 years not new, since you ask – but reissued right now on Southern Lord and, of course, Casper packs the same ferocious intensity on guitar as dad Peter does on sax. What comes to mind? A splatter of King Crimson Red to start maybe, but mostly a Killing Joke wall of fury roughed up by free-forming six-stringer squall. Primal psssyche out.
SONAR – Vortex
SHIFT. Why? Because of the mood. Because of the tension lurking from the opening Tortoise lope. Because of the pristine dark urban space conjured by metronomic polyrhythms, slow-rising urgency and part-glitch percussive energy. Get a shift on – enter the vortex with Sonar right here.
WINTER AMBIENCE FROM 2018 LEFTOVERS
By leftovers, we mean the 2018 music bought late last year – like ace albums by Clutch, Mark Lanegan & Duke Garwood, Donny McCaslin and Pijn – that have fed the new year and which we’re only just digesting. And for some moody atmos on grey-day hibernations like these, you can do a lot worse than sink into these two highly-recommendeds. First, https://annavonhausswolffmusic.bandcamp.com/album/dead-magic Magic by Anna Von Hausswolff. Drones, possession (spiritual) and pipe organs (massive) from Sweden make for a gothic mood piece that signals a storm’s arrival, though it never does. The Mysterious Vanishing of Electra comes close, but its rock-solid haunt is more of a summoning. File next to your Sunn O)))/Ulver crossovers. Or Myrkur. Or your pipe organ collection. Or maybe even this lot …
….Low. Can’t get enough of critics’ favourite Double Negative at the moment. Even when you flick your hype-alert switch on after the gushing reviews, all that talk of noise, crackle and avant is just too seductive … can Low really be pushing it that far out, this far into their career? So you give it a go. And nothing prepares you for just how outside Double Negative is. Something very special, disorienting and rare at work here … semi lucid states, heavy distortion and fractured warps, cloaked by unshakable Low-floating harmonies. In and out of focus. One for dark nights, immersion and submission. The beauty is buried deep.
BULLY FOR DRORE AND DESERT STORM
Friday 1 February, 2019 – Drore and Desert Storm at the Bullingdon, who needs a headliner? Not them, but there is one anyway: Conjurer, on the Holy Roar label. Metal Hammer have said good stuff about their Mire album, let’s see what they’re all about.
’til next time!
P.S. Desert Storm and Drore review done, see next post