BLACK SABBATH: BEYOND METAL (A JAZZ ODYSSEY)

EVER HEARD BLACK SABBATH SOUND LIKE THIS?

On July 6th, the day after Black Sabbath’s Back to the Beginning sign-off at Villa Park, Stuart Maconie broadcast a Sabbath special Freakzone on BBC Radio 6 Music.

It was an inspired slab of radio – a wild selection of Black Sabbath covers, bands inspired by Sabbath and, of course, Sabbath originals. But it was the covers that really made it work because none of them were rock or metal. Not a single one.

Instead there was fictional jazz (eh?), medieval folk, Ethiopian brassy scuzz, Scandi-fied indie pop, contemporary classical and plenty more … countless left turns in a fascinating trip that hints at just how far and wide Black Sabbath reached.

The programme is no longer available on BBC Sounds but, because it’s too good not to rave about, here are a few words on some of the tracks that blew my tiny mind, followed by the tracklist for your fullest explorations.

RIP Ozzy Osbourne. Long live the Summer of Sabbath.

Far beyond metal

What, no guitar? Better get used to it with French/Ethiopian hybrid uKanDanZ because they lead into War Pigs with a screaming sax blast and it RIPS. After that, they lock down a tough keys-bass-drums groove punctured with brassy bursts.

Soreng Santi throws out a very loose take on Iron Man. It’s a track that’s always lumbered in the best possible way but here the sticky fuzziness of the riff stumbles and wavers and just about stays upright. In contrast, the drums dance with clarity and full command of spacial awareness. If you watched White Lotus, this track appeared in an episode somewhere. Apparently.

Hearing some radical reworks of Paranoid makes you realise that the chugging riff captures the paranoia of the title – it’s a bit nervy, edgy, restless. Take that signature element away and the song can be transformed, as Black Bossa Sabbath Nova show with a gentle, swinging shuffle that glides so smoothly it barely touches ground. Beautiful vocal too.

Sticking with Paranoid, Hellsongs do a similarly non-monolithic breakdown. Like Susanna and the Magic Orchestra’s minimalist, heartbreaking version of Love Will Tear Us Apart, Hellsongs strip a robust original down to its barest essence and redress it lightly – here with whispered gusts and string-backed Americana. Hellsongs Paranoid is roomy and calm, the very opposite of Sabbath’s anxious riffing. And while we’re on a Paranoid reimagined trip, check Type O Negative’s version for a transcendent goth metal overhaul.

If the idea of Jazz Sabbath (listed below) excites more than the lighter-touch music delivers then Iron Man by The Bad Plus is the place to get a proper jazz-does-Sabbath experience. THIS is jazz Sabbath. Piano chords take the place of Iommi’s riff, the tempo is slowed a fraction and the inventive combined muso talent makes more notes, more melodies and more dimensions without ever losing the heavy essence of the original.

Keeping it jazz, Brad Meldhau‘s Sabbath is not a cover but a tribute. Doom piano and shit-hot drumwork conspire to fashion a downer earworm from Sweet Leaf’s cloud. Bulletproof and nicely weighty.

At the risk of turning this into a jazz odyssey, the final highlight – for now – is more jazz. From a metal legend. War Pigs by The Alex Skolnick Trio. Swingy as fuck. Do not expect Testament-al thrash riffage. Do expect clean, warm tones, sublime phrasing, blistering jazz runs and a drum masterclass … how much musicality? Unreal.

As promised, below is the full Freakzone tracklist minus the Black Sabbath originals. Sleep and Electric Wizard are familiar enough but all the covers here are, to me, a new adventure and every single track is worth checking. Credit to Stuart Maconie for putting it together – radio at its best.

Let the Black Sabbath story continue.

Freakzone: Black Sabbath Special

Cindy und BertDer Hund Von Baskerville. Ultra catchy German pop-psyche Paranoid via Haight Ashbury

Les BaxterMain Title (from the film, Black Sabbath)

uKanDanZ War Pigs. See above

Jazz SabbathElectric Funeral. Soft shuffle and brushes from Adam Wakeman’s invented concept. If the nightcap fits… drink it. Late-night bar vibes

RondellusRotae Confusions. Wheels of Confusion, sung in Latin, haunting and medieval

Soreng SantiKuen Kuen Lueng Lueng. See above

Vitamin String QuartetInto the Void. Strings, innit?

CardigansSabbath Bloody Sabbath. Light and dreamy retro drift-pop with incredibly cool funk drums. Genteel detachment you can almost dance to.

Black Bossa Sabbath NovaParanoid, see above

SleepHoly Mountain. No description required

ApocalypticaSpiral Architect. Full bodied orchestral instrumental

HellsongsParanoid, see above

Brad MeldhauSabbath, ditto

The Bad PlusIron Man, ditto ditto

Electric Wizard Funeralopolis. See Sleep above

Free Nelson MandoomjazzBlack Sabbath. Melancholy sax, horror scream squall sax, max-tension dynamics – this song was destined to be doomjazzed

MeatdripperHomegrown. Blackened stoner with Pigsx7 slam riffage and questionable vox, you decide

Alex Skolnick TrioWar Pigs, see above and listen and weep

Black Sabbath Vol 4
Back to the Beginning, back to the font: Vol 4

A WORD FOR OZZY

This post was meant to be a celebration of Black Sabbath‘s monumental Back to the Beginning metal-thon and all the Sabbathian goodness and rekindled love it inspired. Who hasn’t been on a Sabbath bender of late?

Following huge media coverage of Glastonbury and Oasis in the previous few days, Back to the Beginning could not have been timed better: the festival spirit was already overflowing but this time, July 5th, it was for heavy rock and metal. The historic aspect of BTTB was never in doubt but once you got into it and started watching and reading more about it, it really sunk in just how big a deal this actually was.

It was on-stage closure for the people who started it – in their home city, supported by the bands who drew on their influence and came back to pay tribute. Poignancy played a huge part in all this. It was so much more than a final gig by a legendary band. It was a moment that will go down as one of the great events in rock.

Then Ozzy passed away just days later. And it’s knocked everything sideways.

Instead of being a celebration of music and legacy, Back to the Beginning has rapidly become something else – not just a send-off for a band but a send-off for a life, too. No wonder our thoughts have stalled and become blurred … it’s too fast a transition from loved-up afterglow into shock. In some ways, Black Sabbath have been pushed a little further back within the memory of this event and Ozzy – understandably, right now – is up front and centre. We’re in Ozzy mode.

Unlike Black Sabbath’s back catalogue, Ozzy’s solo music isn’t enough my thing, despite some awesome tunes. But his OTT Hammy-horror videos and album covers, shred-glam guitar sounds and widescreen wild man personality were so integral to growing up in the 80s that it might as well be. He helped define what rock sounded like in that decade and for anyone who spent time programming the video recorder for The Power Hour, Raw Power and Noisy Mothers in the deep, dark small hours on ITV, Ozzy was inescapable. We grew up with him. We knew and got to know the musicians he picked. We knew the bands he toured with. He’s always been there, a connector of souls.

The only Ozzy records in my stash* are Tribute and the Just Say Ozzy live EP so they’re being revisited right now. Suicide Solution and I Don’t Know always, always work. Records like this are inseparable from teenage memories, even down to the way they feel – the Tribute record cover is oddly grainy.

Funny to think that Geezer Butler played on Just Say Ozzy. The rotation and crossover of band members in the post-70s Sabbath/Ozzy orbit blows your mind, as does Ozzy’s ultimately short-sighted approach towards playing his former band’s tracks. In the sleeve notes, he wrote, “The Sabbath songs – to have recorded them one last time with Geezer Butler, Zakk and Randy, says it all for me. It’s a chapter of my life I can now close.”

That was 1990. But the chapter didn’t close – not until July 2025.

Farewell, Ozzy Osbourne.

*adding a couple of CDs now though. Diary of a Madman and No Rest for the Wicked are the chosen ones

Ozzy Osbourne and Randy Rhoads - Tribute album cover
Double tribute