BROOKLYN NEW YORK, AUSTIN TEXAS AND CARDIFF CARDIFF SERVE THE RIFFS AND THE RAGE FOR THIS REWIND 

Before dipping into the new discoveries, have we got time to splatter the page with Melvins superlatives? 

New album Tarantula Heart is out THIS VERY WEEK which has, of course, prompted a massive Mel-fest in recent weeks. Question is, what would you choose right now for a Melvins reacquaintance?

Aside from a healthy Stoner Witch loop, it’s the Big Business double-drum era that’s done the business (sorry) round here. (A) Senile Animal, Nude with Boots and The Bride Screamed Murder, played in chronological order, makes for a shit-hot listening project: it’s Melvins with more crunch and pace than sludge and crawl, though we know they’ve always mixed it up pretty wildly. And there’s no shortage of rhythmic complexity on these albums either, cementing the notion that Buzz truly is one of the god-level riff lords of our time. Same goes for Dale on drums. They’re juiced and rejuvenated on The Talking Horse, warped and disorienting on The Savage Hippy and beat-shifting headfucks on Evil New War God, and that’s just three highs out of a possible 30. Monstrous stuff.  

That block of albums is the third of three ‘triples’, which is pretty handy for chunking some Melvins together in a vaguely cohesive way. The major label threesome of Houdini, Stoner Witch and Stag was first. Then there was The Maggot, The Bootlicker and The Crybaby trilogy back when Melvins first hooked up with an infant Ipecac. And finally, the Big Business years just mentioned. No doubt there are more trilogies, intended or not, lurking in The Melvins’ vast idiosyncratic sprawl but those three are huge anchor points.

Best wishes to Dale Crover’s continuing recovery from back surgery.

OK, let’s get back to the main gig with three new tunes.  

GUHTS – White Noise

8 minutes of post-metal lumber that mainlines Cult of Luna? I’m in. And I’m especially in for the vocals. This is the Cult of Luna sound you’ve been waiting for IF the CoL voice(s) sometimes gets in the way, though you might not know that until you’ve heard this. Amber Gardner brings more dimensions and she’s so right for this slow-paced slam that it’s the post-metal embellishment we perhaps didn’t know we needed.

And the drop at 3 minutes is to die for. Pure Isis. Fresh voice, new blood, more GUHTS. White Noise right here.

TRANSIT METHOD – Frostbite

Another 8-minute epic, this time from Austin, Texas, and it’s the kind of metal that goes full Mastodon. Taut 5/4 rhythm, mathcore drive, hyped drums on a permanent fill and cosmic space-scraping solos all build to a thrash pickup, more blazing leads and thunderballs kick work. 

Need a breather? There’s a beach-mellow breakdown and some pretty elastic bass to help you catch some rays … but not for long. This is an opus of sections, too wild and varied to detail, so check it here right the way through to the heroic punch of an ending.  

SHLUG – Grated Thumbs

Don’t know what’s in the Cardiff water these days but this post-hardcore shout/speed rager packs more than just relentless aggro into its dank industrial hardcore. A mid-track breakdown, all bass and space and woozy Fugazi, halts the hyperventilating charge for just about long enough to catch breath and let rip again. Buy it from May 8th or hear it on BBC Radio 6 Music’s New Music Fix until early May. 

Rock enough?

‘til next time!