MIDWIFE – Rock n Roll Never Forgets: TRACK OF THE MONTH

DECEMBER REWIND: MANIAC THRASH, OCCULT-ISH FUZZ, METALCORE LOUNGE AND MORE

Welcome to the last Rewind of 2024 – not that there have been many to digest this year. What was once a monthly (give or take) post has slipped shamefully close to a flatline with occasional blips indicating ‘life’.

But, like a tortoise on an uphill grind into a tarmac-scraping headwind, we carry on. ’tis the season of goodwill and joy after all so the least we can do is share some new discoveries before the Xmas madness intoxicates. ONWARD. Slowly…

HELLRIPPER – Fork-Tongued Messiah

Nothing slow about this though, the most recent new blood from every metaller’s favourite Highlander. The track came out in August but it’s the bleak end of the year where such two-minute mayhem makes most sense, not just because the days are literally darker but also because Hellripper takes you back to times of youthful innocence when Kill ’em All and Killing is My Business ruled your fledgling earwaves and Bathory stoked fearful fascination. No stylistic breakaways at this point, thank satan – just riotous escapism at maximum speed. ALL HAIL.

EARTH TONGUE – Bodies Dissolve Tonight!

On Bodies Dissolve Tonight!, Earth Tongue – from Wellington, New Zealand – add a chanty, gonzo spook vibe to some wickedly fuzz-rocking riffage. On the one hand, it’s got the primitive no-frills edge you’d expect from a two-piece. On the other, it dances with the sci-fi occult grooves of the late 60s and early 70s underground, thanks to Gussie Larkin’s staccato vocal delivery. You could easily imagine this on one of those box sets of unearthed now-cult gems like I’m a Freak, Baby… where bands like Wicked Lady, Iron Claw and Devil’s Teabag* spread dank cheer. Listen to Earth Tongue, then watch the video for beach-driving high jinx.

*not really

THEODOR KENTROS – Trystero

7 minutes of ambient doomgaze and looped layering, anyone? Grab those headphones. Downbeat in tempo but not in spirit, Theodor Kentros‘s Trystero exists as some kind of shapeshifting heavy vapour, slowly unfolding and expanding over your world. Sparse guitars echo like cinematic Mogwai teasing an impending onslaught but here, they pull back, making way for swollen enormo-drones and elemental clangs to reveal themselves. When those same guitar lines reappear and repeat cleaner, brighter and bigger, it’s like the day burst wide open. Immersion time.

TENUE – Union

It’s not hard to imagine a band playing Pelican-ised post metal with screamo vocals and black-metal blasts, and that’s a rough marker for what Tenue do on this track – nothing wrong with that. But the real loop they throw is the mellow jazzy breakdown which has no connection with the rage either side yet completely belongs, snapping your focus into attention by showcasing deft musicality and prog tendencies. Intriguing? File under Spanish Metalcore Loungecore. Or something. Check Union here.

MIDWIFE – Rock n Roll Never Forgets

Calexico, Giant Sand and assorted Americanas make for supreme winter listening if you find the right tracks, despite the warmth and dust in the origins of their sound. It’s all about the openness and isolation they conjure and this gentle, dronesome hush by Midwife does exactly the same thing. Madeline Johnston inhabits the monochrome zone where distorted whispers weave through pedal-steel caresses and buried strings. Devoid of all bluster or hard edges, it occupies a space that’s permanently in-between – locations, hours, states of consciousness, whatever you choose. Lo-fi ambience for late night drifters, low-light hibernators and want-to-be-aloners… keep it close when Christmas gets too loud. Rock n Roll Never Forgets.

And that’s that. Tyler the Creator‘s Noid (and video) was dynamite and then 2024 year-end listmania was unleashed. So we’d better leap on some of that

if tortoise catches a downhill break.

’til next time – MERRY CHRISTMAS!

Rewind Xmas
A rock-a rewind the Christmas tree

WELLINGTON FUZZ

JUNE REWIND: EARTH TONGUE, SHOW ME THE BODY AND STALE STORLOKKEN

A fragmented Rewind, this – just three tracks from the past month, that’s it. Why so little?

Because time ran away.

Because the ace new Raketkanon, Cave In and Ifriqiyya Electrique albums haven’t been played enough to write up YET.

Because King Crimson dominated the month by having the cheek-faced bare to celebrate 50 years in music with a Royal Albert Hall stint and so instigate a last-minute decision to go and witness another visceral KC performance.

Because the Basic Dicks tape hasn’t arrived yet.

Because because because ….

Time, dammit. Here are those new chunks.

EARTH TONGUE: Microscopic God

Packing thick new-jazz busy beats and non-4/4 signatures under fuzzy metallic riffs and semi robotic male-female vocalising, New Zealand duo Earth Tongue are a few steps removed from the blues roots of many a guitar-drum two-piece we’ve come to know. It’s a bit alien, a bit one-off, like a not-yet-realised Melvins collaboration or even a cyborg Crystal Fairy. Warm and cold and sexy and so Very Very Now. Check the Microscopic one here.

SHOW ME THE BODY: Forks and Knives

New York hardcore with electro noise abrasion and Dalek-heavy hip-hop distortions thrown in. Unrelenting in a Gnod kinda way, but urgent and fleeting and almost unfinished. Don’t know why it made me want to revisit Protomartyr’s Relatives in Descent, but it did. Urban anger? Maybe, though this lot crank it way more. Forks and Knives this way.

STALE STORLOKKEN: Skyrocket Hotel

No vocals here, just arcing surging drones and buried lo-tech electronics with a 70s filmscore vibe, forged by Norwegian jazz player Stale Storlokken who counts Supersilent and Motorpsycho among his gigs. I know nothing. But if drone done the Urthona or To Blacken The Pages way is your thing, this’ll grab you where it feels good. It did me.

Right then, that’s it. Live action soon with Algiers in Oxford next week.

’til next time!

amplifier wordsmith: the monthly rewind

amplifier wordsmith: the monthly rewind