MUSIC 2021: GIFTS AND GIVING – PINNICK, PLANT

CHRISTMAS WISHES, all! What’s your album of the year? Robert Plant and Alison Krauss?

Correct.

Bye, then. See you next time

ah, but not quite. Let’s divert for a winter ramble for a few minutes as night outruns day and strings of lights blink into life. Let’s evade the best-of-the-year music rat race and run with the spirit of the season:

Gifts and giving.

Whether it’s a time-of-life thing or a COVID-rooted acceleration, I don’t know. But music seems to mean more and get more special with every year, as do those who make it. They’re the givers of true gifts.

One album which won’t be troubling any end-of-year lists (because he never does) but fits the theme is Joy Bomb by Dug Pinnick.

Why the big love?

BECAUSE IT’S DUG PINNICK.

Yep, the guy best known for being the singer and bass groover in the unfathomably magnificent King’s X put another album out.

Listening to both the Faith, Hope, Love and King’s X albums again today, 30 or so years after they came out, was an exercise in time travel and euphoria. Any King’s X fan knows this. The band inspires unconditional love and those records are exalted rock territory. It doesn’t need explaining, even if you could put it into words. And though they never quite hit the same creative peaks later on, they’ve always been consistently great.

So, it was a buzz to hear about a new record from the ever-prolific Dug (many other projects on the go, not least the harder edged KXM). The guy is 71 now. How does Joy Bomb fare?

Well, it’s pure Pinnick – voice fulla soul, snaking bass-led low end, melodies you can’t shake, varying degrees of rock-funk-soul depending on the track. Key Changer stomps an upbeat funk while rocking too hard to be funk, but it’s in there. As he says himself in interviews, everything comes out through a Dug filter and this is very purely a song about music. Equally Divided is a zombie singalong lurch, a bit gluey, a fraction slow. And if there’s a slight dip two thirds the way through the album, it picks up again with The Poison‘s beat-messing groove and the jerky, heavy, unsettled funk jabs in Making Sense of the Bones.

Some nicely unleashed solos throughout as well. Shades of KXM/George Lynch.

But however this album goes down, the point (today) is this: having Dug Pinnick in the world releasing music is, in itself, a great thing. That’s the gift. Especially when everything’s a little bit fucked.

Another record generating a bigger-than-music vibe is far higher profile and it’s no surprise, given the opening paragraph, that Robert Plant & Alison Krauss’s Raise the Roof is a record of the year.

I say this with all the confidence of a slacker who’s only played it twice

but yes, the quality is that obvious. The special something, the huge inner glow, is fired up as soon as the stylus hits touchdown, and how many records each year really do that?

Maybe it’ll be a lesser record in a few spins, who knows. Doubtful, but possible. Right now though, there’s no rush to Raise the Roof. No need to listen in haste and cram it. Better instead to create a moment and be open to the overlapping musical histories it spins.

So, there we go. A couple of non-reviews of special records from 2021 this Christmas. Maybe we’ll throw a few others out there in a more typical look-back in a few days, who knows.

But if not, HAPPY CHRISTMAS!

Plant-Krauss and Dug Pinnick - gifts of 2021
Spreading the joy bomb

ILL CONSIDERED: TUNE OF THE MONTH

NOVEMBER REWIND: Attention-worthy sounds from the last month or so, spanning noise rock, ice pop (?), machine punk and full-throttle jazz.

ILL CONSIDERED – Dervish

Full-flowing fast-flowing freewheeling jazz action with a shitload of rock attitude, Dervish explodes with energy. It’s the kind of thing that pricks the ears of uninformed non-jazzers like me because of its vaguely Comet is Coming intro, but then ups the thrills by dismantling all brakes and going for the burn. Never-resting drums promise a sweaty, over-extended jam in a packed room (one day). Don’t yet know if Dervish is typical of this fiercely prolific band, but it’s more than enough to warrant a look-in.

M(H)AOL – Gender Studies

It’s pronounced MALE. They’re from Dublin. Gender Studies is from their debut EP. Songs about misogyny and violence against women. There’s a hard, machine-like intensity about the rhythm … Send-era Wire, maybe. Words spoken, not shouted. ‘Why don’t you study my gender?’ – a challenge more than an invitation. Heavy broken bass. Head nod groove. Post patriarch punk?

AGABAS – Children of Adam

Noise rock with hardcore vox and thrash ‘n’ roll pace. You might think it’s some kind of Entombed-Huntsmen-Cave In face peeler – and it is. But Agabas call it death jazz and sure enough, buried in the tumult, there IS wind instrumentation. Check the breakdown then wait for a bigger blowout while beaster chords pound the background. Noisy non-4/4 from Trondheim, Norway.

DORCHA – Honey Badger

It’s not the moto-rific intro and freaky oscillations that hypnotise (great though they are). It’s the cool, swirling avant-pop perfection of the switched-up second half. This is where Honey Badger ascends from earthly form into something icy yet warm. Resist? You won’t. Sublime cold weather listening, it’s over here.

’til next time!

amplifier wordsmith: the monthly rewind
amplifier wordsmith: the monthly rewind