TAPED

In my Boris write-up the other day I made reference to the music fan’s buzz of stumbling across an unknown album – in other words, a find.

Well, this week I was reminded of a different but no less satisfying buzz that shocks us every now and again – unexpected uber-heaviness on the radio, like when (for those who were there) Harvester of Sorrow got an airing in the Top 40 and it gave you a four-day high because one of YOUR BANDS had broken into the charts for the first time ever.

This week’s radio buzz was a bit like that.

Stuart Maconie’s Freakzone on BBC 6Music is my must-listen radio programme, and which molten heaviness descends from our beloved DAB on Sunday evening?

I, the Witchfinder, by Electric Wizard.

WOAAARRRRRRR! Maconie’s only got Dopethrone – yes, bloody DOPETHRONE – as his featured album this week (soon to be last week coz there are only a few hours left to listen again on t’iplayer).

Now I’m taking this as a sign, an omen, a Dorset-sized kick up the you-know to finally get this little feature – called TAPED – off the notepad and into the blog. It might end up being unsustainable, or a fistful of cack, or both and/or worse, but we’ll get it started anyway.

TAPED. What is it?

TAPED is stuff from the radio that’s caught my ear, simple as that. In other words, the things you’d tape if you were still taping* (now is the time to check the thing of beauty splashed across the top of this page).

As I said, Freakzone is my source for getting turned on to new stuff. Not necessarily new by release date, but new to the ears. It’s not a rock show – far from it. It’s anything outside the mainstream … obscure prog, 70s fusion, avant rock, field recordings, free jazz, anything really, but it’s not Wire obscure either. The old stuff is as bold as the new so, in the spirit of discovery and general music fan-dom, why not a share a few new names and bits of music news?

That’s what TAPED will attempt. Next time we’ll get straight into the music but now, here are the Feb 2nd Freakzone highlights:

PORT SULPHUR – The Faith Healer, featuring Jock Scot. Sleazy industrial disco with guitars.

MUMPBEAK – Forlock. Track of the week! Crimson-sinister prog with Slint air of well-heavy dread. Who Mumpbeak? Dunno, but Bill Laswell and Tony Levin are among ‘em.

ALARM WILL SOUND – Cliffs. Non-electronic arrangement of Aphex’s opening drift on  Selected Ambient Works Volume II.

And of course, ELECTRIC WIZARD’S DOPETHRONE, an unusually metal choice to even get played on this show but to be elevated to the status of featured album???? No complaints here though.

*I am still taping. A bit.

BORIS / CHOUKOKU NO NIWA – More Echoes, Touching Air Landscape

One of the bestest buzzes when you’re raiding the racks of your favourite/local record shop is when you see something you didn’t know existed by one of your fave bands.

Cue More Echoes Touching Sir Landscape, spotted and then seized from the pre-loved (used) section in Oxford’s Truck Store.

Boris? THE Boris? Slug metal, psych drone, garage fuzz overlords from Japan?

Oh yeah. It’s them alright. The initial 1999 release date clues us in as to how they’re gonna reveal themselves on this split CD – I predict sloth and goo – and sure enough, Kanau Part I is 14 minutes of droning thrum that’s not so much a build up as a slow down: an adjuster. Part I slows the world so your clock runs to Boris time.

When Part II begins, it’s heavy as only Boris can be. Ludicrous. When a snaking colossus of a bass line announces the band’s arrival proper, they’ve got you – again. Coz when you’re up against such sheer fucking ENORMITY, what can you do but grin and give in?

The rest of Part II is Atsuo-dominated as his speed bash leaves all doom ‘n chug way back, pulling us fast through spacegun-zap psychedelia and classic riffage. Kanau might not be Feedbacker singular or Sun Baked Snow Cave extreme – it’s too up, too rock-out for that – but it IS Boris, breaking out of the pure-slow-heavy and well worth adding to your stash.

But while Boris are the big name draw here, Choukoku no Niwa are the big find.

Who?

Exactly. I have no idea and, tempting though it is to give in to the google god and revel in right-now certainty instead of savouring a little mystery, that’s the way it’ll stay. At least til we’re done here*.

So what do we get? 24 minutes of fluid long-form rock, that’s what. Tom toms and congas, rolling rhythms and a circular bass-riff – like Primal Scream’s Exterminator but with more sway, less menace – bring a thickened-up Can to mind while on-off guitars flow, moan and wail but never shriek. There’s no Acid Mothers frazzle or Mainliner blowout here. Groove – immersive and endless – is king.

 

BORIS/CHOUKOKU NO NIWA – More Echoes, Touching Air Landscape

Inoxia Records, 1999 (reissued 2006)

Choukoku no Niwa – Fukurou (24.07)

Boris – Kanau Part I and Part II (26.08)

 

*I looked. Briefly. But nothing useful came up …